FOR ALL THE SONGS ON ALL
THE CASPAR BABYPANTS ALBUMS!
CLICK ON ANY OF THE ALBUM COVERS
TO PREVIEW THEM AND BUY THEM
CHECK OUT ALL THE ALBUMS ON ITUNES HERE.
FIVE WHITE DUCKS
Long long ago when my second record MORE PLEASE! was coming together I wrote a song called SIX WHITE GEESE about a bunch of geese that go wandering out and get plucked up one by one by various evil forces. It was a bit of an attempt to write something in the vein of the old Grimm's Fairy Tales. Those old poems are pretty dark but I just couldn't make the song work lyrically or musically after much trying so I shelved it. Also Weird Al's daughter Nina said it was TOO scary! I brought it back out and made the geese into ducks and had them joining each other rather than being plucked up and made the music more rocking and the song came back to life!
DAYDREAMIN' ALL DAY LONG
Originally this song was called LITTLE SUGAR and was a basic song about parental love for baby that I wrote as one of 4 demos for a project I did with Swedish Hospital to celebrate their new maternity wing completion. The verses were surreal and silly so I changed it to be about cooking up silly images in my mind and how I loved to daydream about weird stuff with my kids when they were little.
COME DOWN HERE MONKEY
When I was a wee child of 4 years old I was taken to the zoo and the legend has it that I tried over and over to climb into the monkey exhibit and expected the monkeys to simply descend to talk to me if I asked enough times. The part where I was trying to climb into the monkey exhibit was immortalized in the song MONKEY RIVER and the part where I want to talk to the monkeys is the inspiration for this song.
KNEE HIGH THING
Kids grow up do fast. This song is about that moment when a kid is mobile and walking and just about as tall as your kneecaps. I just took that idea and mixed it with weed and plant imagery. I wrote the original version of this tune in 1989 so it is another one that has been sitting around for a long long long long long time.
My son Augie wrote a poem when he was about 9 years old about a series of animals eating each other. I loved the groove and the idea of a chain of animals being the only real point of the song but his version was a bit gruesome. So I worked the lyrics into a new shape and recorded it with only voices and then slowly over many years found a musical vibe to fit the song. It is a pretty different feel for a Caspar song but I hope you dig it. Thanks for the inspiration Augie!
This one started out as a song that I wrote specifically for a girl named Rena Mateja Walker Burr who started a fundraising campaign for an organization called Wellspring Family Services. Wellspring focuses on taking care of families who are in crisis and this young girl decided to do a fundraising campaign by going door-to-door in her neighborhood asking for loose change to give to Wellspring. Her story was so inspiring that a whole campaign dedicated to motivating young kids to think about philanthropy was born. As part of that campaign I wrote this song for her. Originally it has slightly different lyrics about saving pennies and how they could add up to create real change. I'll do the lyrics a bit to be about the joy of having a baby but the theme of expressing love for each other is the same.
I DON'T REMEMBER THIS SONG
As I remember it my daughter Josie and I made this up when she was super little. She says she doesn't remember that which seems pretty appropriate for a song about not being able to remember a song! Just a song about not remembering something that might help you remember something.
TURN YOUR FROWN AROUND
Back in 1997 this song was called BOO BOO COW and was trying to be a Presidents song but did not make the cut. I always loved the feel and the shape of it but the lyrics were super abstract, which is probably why it never got used before. I settled on this idea of how special it is when a child is upset and a parent can turn things around for that child and how safe and happy and loving that interaction is.
SHOW AND TELL
This one is just me having fun with silly images and a groovy groove. I included a ton of key changes to make things musically interesting. Just let your mind open up and see what I see and you will have fun with this one!
THIS LITTLE LIGHT ON MINE
I have always wanted to cover this song but just didn't know exactly how to do it. When the coronovirus hit and the shelter in place directive became real I felt kind of scared and nervous about things and I found myself gravitating toward this song. As I recorded it I felt better and remembered that during dark times I need to encourage my creativity and hopefully help others to do the same.
I played this at a home and garden exhibition many years ago because the organizers requested it and loved doing it live but never played it again. Recently I found out that the copyright had lapsed on this tune and it is now in the public domain. That news item reminded me of the tune so I bopped out to the studio to do my own version. Go bird go!
LIVE LIKE A BABY
Originally this began as a parody of sorts of a song by a friend of my son's in Bellingham named Joey. He had a song called LOOSSERR that was super catchy so I did a parody about wanting to feel like a baby called FEEL LIKE A BABY. I felt like I needed to take the idea of feeling and living like a baby and make my own song because I have been toying around with that as a theme for a song for many years but had not found the right feel for it. The parody ended up not feeling quite right so I wrote new chords and melodies for it and knocked the new version out in one day of inspiration. Don't forget to see the world through beginner's eyes as much as you can.
I was thinking one day that I had never done an instrumental on one of my albums and so I sat down with a guitar and channeled the great Dick Dale and the Ventures and came up with this little thing. It is sort of my answer to TEQUILA! Try flying around the room with your little mosquito wings and shouting "MOSQUITO!" while you listen to it.
CUTEST LITTLE BABY
I think this is the last of the batch of songs that I wrote while my son Augie was little and I would lay him on a blanket and improvise songs about how much I loved him while he smiled and giggled. I thought it would be fun to dress it up in a bit of a modern style with chugging guitars so it didn't get TOO cute!
CHIMP IN A SUIT
What would you do if you opened your front door and there was a chimp wearing a suit on your stoop? This song would not be any help at all in that situation. I wish I could offer you more help in that situation but all I have are questions and no answers. Sorry.
WANNA STOP TIME
This is another one about how fast kids grows up. I remember the feeling that I just wanted to freeze time as I gazed down at my kids when they were super little. Each of those moments seemed to stretch on forever. At the same time I wanted them to grow and be free so it is a mixed bag of feelings for me.
BREAK OF DAWN
Originally this song was about how parents will stay up all night with their kids no matter how hard it is on them but it ended up sounding like the parents were complaining so I changed it to be about nocturnal animals. I love the quiet spooky hushed vibe on this one. When I wrote it I was kind of channeling Alice in Chains believe it or not but I ended up toning down the dark harmonies that were all over the original version.
I have a song called RISING SUN that has been around since I lived in Boston in the late 1980s that I have always loved and have toyed with and hacked apart to make variations over the years. I toned the original down from its loud rock roots and made it about the cycle of days coming and going. It's just a little relaxing meditation on the passage of time.
WHEN SLEEP COMES
This one is based on SHE'LL BE COMIN' ROUND THE MOUNTAIN but I turned that melody into a lullaby. I liked including images of snoring babies and chainsaws in this one. Just a simple lullaby about how sleep pulls you in and that moment of giving up and going to sleep that kids have such a hard time with. Don't they know how delicious sleep is?
LIGHT THE STARS
Kate and I were having friends over to dinner and I started to eat some of the appetizers and she said "save the snacks for the people". I put down the snacks and took up the guitar and sang that line to a little melody and eventually after 7 years of goofing around it became this lullaby. I have this one fading in and fading out so if you put this song on repeat you can leave it on in a kid's room and it will be a perpetual lullaby loop that will hopefully get them off to dreamland easily.
THE ANTS GO MARCHING IN
I took the original music from the traditional song about these little ants and made a song called MYSTERIOUS THINGS out of it on a previous record because I never thought that the tone of the music fit with the lyrics about ants marching. This time I took the original lyrics and expanded them and put them to new music that feels more like marching to me.
BABY'S DRIVING A CAR
This song started out as a high-energy song about me and my son Augie called "PIGLET AND ME". It was a fun silly tune about me bopping all over the place with my infant son but somehow the lyrics were not 100% right. I then found a couple of songs I wrote back in the late 80s that were kind of about the idea that somewhere someone is doing EVERYTHING at any given moment. I hacked up the old songs and smashed the lyrics into the melody from the song about my son and got this ditty.
I had an old instrumental from the early 90s that I made with a drum called a Dumbek and one day it popped up on random play while I did the dishes. Suddenly I saw this army of termites marching toward my house to eat the whole thing in one big massive attack. I started marching around the kitchen and singing out loud! I ran out to the studio and tracked this immediately. Musically I am making a nod to my old mentor Mark Sandman and his band Morphine here. I miss you Mark.
HIDIN' AND SEEKIN'
Originally the song was titled POP CULTURE and was written way back in the mid 1980s for a band I had in college called "The Dukes O' Pop". I was like the music a lot and thought it would make a good vibe for a cast for song. It took me a while to get the lyrics right on this one. I had the wrong perspective for a while. I love the way it turned out and that in part is brand-new to the tune and one of my favorite parts.
FUZZY BUZZY BUZZING BUG
In college in the 1980s I had a band and we had a song that I write called "PANTS TOO TIGHT". In looking at old songs to revamp for Caspar I found a recording of that song and loved the music and started trying to find a new subject matter. Then I was playing with a little synthesizer and made a little buzzy farty noise with it and started to imagine a mosquito buzzing around. Then I remembered that in the summertime I have a super hard time going to sleep with a mosquito in the bedroom and a song was born!
This started out a song called "THE MONKEY IS A MAN" about seeing a monkey doing things that a man would do. I have SO many songs about monkeys that I started to cast about for a different theme. I have always sung placeholder lyrics about pickles but never had a pickle themes song so I challenged myself to write a pickle song! This lucky pickle gets a luxury vacation out of the deal.
I'M A BEE
I thought it would be fun to write a song from the perspective of a B flying around on a beach in the summertime desperate for a sweet treat. I am provides the verse lyrics without writing them down and allowed myself to be repetitive and sort of random with the lyrics. I had a lot of fun recording this one and making it sound kind of unique and buzzy like a bee.
I have had this song in the works since 1996 believe it or not! The lyrics were always really abstract and they ended up still being kind of abstract in the final version but they were REALLY abstract back in the day. I love nature and I think this is a love song for a fantasy of being able to live outside all the time.
This is just a funny vision of an alligator that wants to eat me. The music is from an old song I wrote called SUNSHINE from 1999. I was never crazy about the lyrics I had written or the recording of the song that The Presidents of the USA did so I decided to give it another spin. It took a few years to get the vibe and the lyrics right. I think I rewrote this one about 5 times before I got it to feel right!
SPOOKY SPOOKY SPOOKY
When I was a kid I loved to be a little bit scared by music and movies. When looking at old nursery rhymes I noticed how dark and spooky they could be so I wrote a song that celebrates spookiness. I hope it does not scare anybody too much because this song gives me goosebumps everything I hear it!
HAND IN HAND
This is another one from the mid 1990s that got a facelift for the Caspar thing. It was kind of about a relationship that did not work out and I changed it (of course) to be about that lovely interdependence that is so clear in nature and love. I really enjoy the laid back vibe of this song and the rich harmonies were super fun to put together.
PAY ME NO MIND
I played a show a long time ago at a kind of family farm place. Before I went on I walked around the grounds and had this funny experience where all of the animals ignored me when I tried to lure them over for a howdy. As I walked I made up this song and recorded it on my phone. I found it many years later and finally recorded it. I just want to be friends with every animal I encounter. Is that too much to ask?
ROUND AND SQUARE
I don't usually take on big ideas in songs but this one kind of wrote itself and ended up being about the idea of tolerance and differences and a source of strength. I believe that human beings are getting better over time and I am proud to be part of our ascent to greatness!
TWIST AND POUT
When I kid is so tired that the only solution is sleep but they still want to keep the party going you get the inspiration for this song. I love that silly transitional time when kids are too excited to go to bed because being awake is so much more exciting and they get so tired and upset that they cry while trying to keep the party going.
HERE BOY COME HOME
There was a song that I wrote years ago called "SCRAPPY PUPPY" that ended up on a Presidents of the USA album but I was not quite happy with that version. I rewrote it to be more of a ballad with all the details of the dogs experience to paint more of a picture. I fee like this song is a musical number from a musical that does not exist yet!
REASONS FOR THE SEASONS
Kate and I are planning on doing a long Picture book called "Reasons For The Seasons" eventually but right now we can't find a publisher for it. I love this song so much and I'm not sure the book will ever happen so I decided to do it shorter version of it for this album. I had a lot of fun playing around with the different instruments for each season. I guess it's my cartoon version of Vivaldi's Four Seasons"!
SLUGS IN THE DUST
Kate and I were on a walk and we came upon a slug crossing a dirty dusty road. The poor thing was covered with dust and dirt but it was also just making it's own way with a certain determination that I found inspiring. I sat on the title for a long time and then one say the song popped out. I had to rewrite it about 4 times to get the tone and lyrics exactly right but I am glad I did because I love this one a lot! We are all just slugs in the dust really.
THE ZEBRA QUESTION
I know that there is probably an answer to the zebra question but I really don't want to know it so don't tell me! I like to squint at zebras and imagine that they are white with black stripes then shift my thinking to black with white. So I wrote a song about it!
HEDGEHOG IN THE FOG
I wrote and recorded 3 versions of this one before I hit on this particular feel. This song was inspired by a short animated piece I saw of the same name form 1975 by Yuriy Norshteyn. It is an extremely cute and magical bit of animation with tissue paper creating the layers of fog. I wanted to use the atmosphere of the animation to create a song that comes from the same world.
NAP IN THE AFTERNOON
This song is now and forever dedicated to my daughter Josie. When my kids were little I got up with them every morning that I was home from tour with the Presidents. Every verse in this song is a specific memory of getting up with Josie who woke up earlier than her older brother Augie. Josie and I had a few hours during the part of the day when the sun was rising and the world was quiet and this song takes me back to those moments with my baby daughter.
JOHNNY JACKRABBIT JONES
One day I was driving away from my house up the hill and this tiny little rabbit rocketed out of the underbrush right in front of my car and zoomed into the underbrush on the other side of the street. It was like a little furry bullet. I just immediately started singing this song as if it was already written. I recorded it in one sitting when I got back home. Thank you little jackrabbit for being so fast.
NOODLES AND BUTTER
I simply love noodles and butter. I love them. I love them so much. I really really really love them. They are my favorite. I love noodles and butter. I do. I really really do. I love noodles. I love butter. I love it when they go together to make the rules and butter. I really do. I just do.
LONDON BRIDGE IS FALLING APART
This one started out as a cover of a song that I did in the Presidents called Jennifer's jacket. I was trying to find a new feel for it but it just didn't work with the old lyrics. I took the lyrics away and decided to right about London Bridge involving all kinds of other characters from nursery rhymes. I guess this is sort of a song about a song. I love the download Johnny Cash vibe. This one's one of my favorites.
THERE WAS A SMALL FLY
I thought it would be funny if a fly started a band with the goal of playing a show in Japan someday. These are the kinds of thoughts that I have! So I organized it like a classic game of addition where you add more and more animals as you go. It was fun write and fun to record and fun to listen to so I hope you like it! I love that they actually get to go to Japan in the end thanks to their booking agent who is a horse.
RHYMES WITH ORANGE
This song went through a whole bunch of revisions before I landed on this feeling. My brother Tim really helped me out on this one. I had a different kind of Jazz field before and then I did it as a pop song and then I tried it as another kind of song and it just never jailed. I also thought it was going to be a spoken word thing for a while with no music. Finally I settled on this way and changed a bunch of the lyrics and edited out averse and finally this thing is finished! This was a song from way back in 2010 so it's nice to see it seeing the light of day.
SITTIN' IN A HIGH CHAIR
I wanted to give this classic tune a bit of a 1960s pop feel with lots of harmonies and groove. I wrote some new lyrics to include more food items for a well balanced menu. I specifically added tofu in cubes because that was one of the big hits in our house when my daughter was tiny. She couldn't get enough of "cubes with magic powder". The "magic powder" was salt!
ANT'S CAN'T DANCE
This song started out as a weird jam improvisational bit in the mid 1990s. Originally the title was JELLY BEAN BRAIN and it had no real story or idea behind it. It was just a blob of crazy words with a cool groove. I stripped off the words and updated the music to work as a Caspar song and now you can dance to it even if the ants can't. The one ant that CAN dance is named Timmy after my brother Tim who is a songwriting partner of mine (and a brother!).
BRING MY CHIMPY HOME
I wrote this one in Japan in the mid 2000s in a hotel room in Tokyo. The Presidents were there to do a couple of shows and I was super duper sick and stuck inside all day. I brought a tiny ukulele with me and passed the time trying to write little songs. This is yet another song about monkeys and/or chimps. I can't stop writing songs with monkeys in them!
EVERYTHING HAS A SONG
My good buddy Johnny Bregar sent me this tune with a note saying he thought I would like it as a Caspar song and I did. Eventually I recorded it and sent it to him to add guitar and snare drum and vocals and a rare collaboration was born. Originally the song was bout how some things have a song and some don't but then I changed it to be about how everything has a song but some are quieter than others. Listen up!
ROLY POLY BUGGY BALL
Long ago I had a neighbor who is about four years old and his name was Max. One-day Max was walking to my backyard and he opened his hand and he had a little roly-poly pillow bug in his hand. I just started singing about the little bug while Max stood there and rolled the bug around his palm. That was a long time ago and this says stuck around a little idea for a long time. I finally put the effort into finishing it and I'm super happy with it. It sounds roly-poly in the middle part is so weird.
WHO IN THE CIRCUS IS ME?
This used to have a different title and it didn't really have a story. It was just a bunch of images of the Circus. My brother helped me figure out that I should be writing about myself in the circus. So one day when I took a seaplane up to an island to have lunch with my daughter I wrote all these lyrics on some napkins. Writing lyrics on napkins on the plane is a messy way to write a song. But I did it! I'm pretty proud of some of the rhymes in the song.
SHINE IT UP
I have had this little song waiting in the wings for many many years. I made it for the second album MORE PLEASE! but it didn't fit and it has struggled to find a place ever since. So it is with great joy that I introduce to you the little song that could! Just a little reminder that even when things are poopy you can choose to see life in a bright light way and help yourself feel better.
LITTLE BROWN PENCIL
I walked into Kate's studio to tell her something and my eyes landed on a brown colored pencil that Kate had sharpened so many times but it was barely there. For some reason my heart broke for the little tiny pencil. I ran out of the studio and immediately started writing this song about how the pencil thinks everything is brown because it's been used so much for so many different drawings and if it ever found out that everything is not brown it would be super sad. I had to rewrite the lyrics a few times to get it right but I think I finally did.
CALL THE CROOKED CROWS
One time when my son was little and my wife was running the vacuum cleaner I started to sing along to the drone of the vacuum. I sang "caw caw caw call the crooked crows, caw caw caw someone call the crows" over and over and my son joined in and we had a good old vacuum cleaner jam session. That little rifts stuck with me all those years even though I never recorded it and eventually it resurfaced and became this song about a bunch of crows that play at a scary party and won't stop.
DUCKY IS THE NAME OF MY BIKE
I used to have a bike named Horsey. For many years I did not have a car and I just rode Horsey around In Boston New York and Seattle. Horsey had everything stolen off of him except the frame over the course of the 10 years that I rode him. Finally I had to get rid of Horsey because he became unsafe. That's when a yellow beach cruiser and named it Ducky. I had written a song about loving to ride my bike but it was not feeling right. One day I was out on ducky and the melody and words for this song just came flowing through me as I road my little yellow bike by the ocean. I love you Ducky!
DROWSY DOPEY DOZY DOG
Just a simple song about a dog that feels drowsy. Sometimes it's nice to be lazy. Sometimes it's nice to not do anything for a long time. I guess this song is dedicated to that special skill. There's so much thrilling achievement that sometimes we forget that we have the option of being a drowsy dopey dozy dog.
FLY HIGH BRIGHT FIREFLY
Sometimes you just need a little encouragement to take a chance on yourself. That is what I am trying to tell the little worried firefly in this song. I loved working in this style with the background vocals and do wop instrumentation and groove.
I'VE BEEN SLEEPY ON THE RAILROAD
Working on the railroad sounds really hard. I prefer to be sleepy on the railroad. Trains make me so tired and groggy that I decided to change the lyrics to the old standard and make it into a lullaby.
EENY MEENY MINEY MO
I thought it would be funny to put the classic rhyme use for choosing something up against a groovy jazzy background. I was listening to a bunch of instrumental bits that I had lying around and one of them just made me start singing these lyrics over it and it worked! My daughter Josie helped out by singing on the song along with me. She did a great job and really made the track come to life.
I love the word "groggy" so much and wanted to write a song using that word so I did! This is about that classic state that kids get into when they are so tired but are not in bed yet. One time my son Augie fell asleep on the top stair at my brother's house with his head on the landing and his body trailing down the stairs. He was probably the inspiration for this song.
MADE FOR YOU THIS LITTLE SONG
This is a silly song about the act of writing a song. I wrote two completely different versions of this song. One of them was longer than one minute so I decided to pick the one that ended exactly in one minute. It was really fun to come up with all the little moments and sound effects in this one. It's jam-packed for such a tiny tune!
Long ago when my son was small and he was a very messy eater we would always have a little cloth on hand to clean them up. We called that cloth a burp cloth. We were always looking for the burp cloth and I made up a song about looking for that little cloth. In the end I felt the song BURP CLOTH was a little bit yucky. I decided to make it about a worm that reads a book everyday and doesn't want to come out to play. The lyrics just fell out of my brain and the song was born.
This song started its long life way back in 1985. I went to Missouri to a family reunion when I was 20 years old and my father's brother made a speech during the gathering that was very moving. He was a tough farmer and seeing him get emotional impressed me. I wrote a song called EMOTIONAL COWBOY about that feeling and it was released many years ago. As I looked through my old songs I realize that I wanted this idea of being emotional despite being seen as strong to reach a wider audience so I reverted to be about a robot that has a heart. I think this will be the one and only time that I ever sing about robots on a Casper Babypants album.
BE IN THE SEA
I was thinking about the similarities between the ocean and the desert. Then I was thinking about all the animals that live in the desert and what would happen to them if they lived in the ocean. Then I thought about all the animals that live in the ocean and what would happen to them if they lived outside of the ocean. So I just wrote a song about creatures from the ocean living in the desert and in the sky and in outer space and wishing that they could be back in the ocean. Maybe this song is about being nostalgic for home? I just love imagining an octopus in weightlessness!
YOU ARE THE BABY
This is another song from what I call the "blanket sessions". When my kids were very little I would lay them on a blanket and sit there with a guitar and play improvisations about how much I love them and how cute they were. A bunch of songs came out of this and two of them are on this record. This one was for my daughter and is just a simple groovy love song reminding a baby that a baby is a baby is a baby. A definite nod to the Beatles influence on this one.
Originally titled EVERYTIME I SEE YOUR FACE this one was about a super cute baby face. Albums came and went and I just felt that there was something not quite right about it. Finally I decided to try stripping the words away and painting a different picture. That's when DISCO HIPPO just came spilling out of my mind and onto the page. I love the idea of a hippo gliding around and getting down on the dance floor. I am enjoying making songs about dancing. There are three on this record so try to find them all!
A DANCING TREE
You found another dancing song! I thought it would be fun to do a song at live shows where I ask the kids to pretend to be a tree. They can shake their branches and leaves and kick up their roots and move about. I like to pretend that trees secretly have the ability to pull up their routes and run around. I have a whole other song I'm working on based on the legend of trees that can move. In the meantime here's a tree song you can move to.
One day I was wrapping up some CDs to send to a store that sells my CDs and I was staring at the bubble wrap in my hand and realized that if you took the "w" out of "wrap" you would end up with "rap". I started thinking about hip-hop and how the person rapping is usually talking about how strong and amazing they are. Bubbles are weak and vulnerable and I thought it would be fun to write a rap song from the point of view of something that is not strong. Musically I'm kind of trying to send everybody back to the early 80s in New York when rap was born. I'm pretty proud of some of the rhymes and the song! It poured out of me in one sitting and the vocal you are hearing on the track is a temporary vocal that I put down right when I wrote it but I was never able to beat so I left it in there.
MY LULLABY GOT TOO LOUD
Over 30 years ago I wrote a song called POLITICAL SONG about how it is hard to write a political song because the words you need to use are too long. Words like "antidisestablishmentarianism". That recording was never released at all but eventually it mutated into this idea of trying to write a lullaby but getting too excited and making it so loud but that it's not about going to bed at all anymore. Originally this song had a lot of guitars on it but slowly over time I took them away and replace them with more of a marching band oompah symphonic sensation. Stay up all night kids! (not really...go to bed)
ALWAYS KEEP A UKULELE IN YOUR TRUNK
I was watching a documentary about George Harrison and in that doc Tom Petty told a story about George coming to his house to give him a ukulele. George and Tom strolled through the garden playing ukuleles having a grand old time. When George went to leave he asked Tom if he wanted more ukuleles. Tom said he was okay with one ukulele but George insisted and opened the trunk of his car to reveal a HUGE pile of ukuleles. The moment Tom Petty finished telling the story I realize I had to write a song about this incredible moment. I think it's good advice to always keep a ukulele within arms reach! You never know when you need to elevate your mood with the sparkly sound of a uke.
WATCH PETUNIA DANCE
I originally wrote this song for a little girl named Daisy who was a fan of mine who was battling cancer. I wanted to help her to envision herself leaving her bed and dancing around much like a flower would leave its flowerbed to dance around. In the end I changed the name but the idea of a dancing flower that leaves it's flower bed and can move freely and dance as much as it wants to is the main idea of this tune.
ANYTHING FOR YOU MY LOVE
Here is another song that was written as I stared down at my little boy when he was only a few months old lying on a blanket in the living room as I played guitar and made up songs on the spot. This is just a pure improvisational expression of love from a parent to a little new baby. It's fun to remember when they needed so much help especially once they've grown and gone to college like my little boy has.
Originally this song was about a rubber ball that was impossible to throw away because it would keep coming back. It was a bit too spooky and creepy so I made it about a rubber ball that I love instead of one that I'm trying to get rid of. All of a sudden the whole thing clicked. There's a great ghost movie that I love called "The Changeling" that features a scene in which a man throws a rubber ball off the Aurora bridge in Seattle in an effort to get rid of it because it reminded him of his daughter who had passed away. When he gets home the rubber ball is bouncing down the stairs of the house supposedly set in motion by the ghost of another child living in the home. I love that movie and wanted to immortalize that rubber ball in a fun positive way so that is what this song is about. There are no ghosts in this song so don't be scared!
Many years ago I wrote a song for the Seattle Symphony to commemorate the 10 year anniversary of their youth outreach program called Soundbridge. The song was called SOUNDBRIDGE IS TEN YEARS OLD and featured a collaboration between me and two little kids and a little known composer named Wolfgang Amadeus Mozart. One of the little kids came up with the melody for the chorus and the other came up with the idea of doing a roll call of the instruments of the symphony. Then I called up Mozart and got him to do the middle part of the song, which features his amazing composition Eine kleine Nachtmusik. Thanks for the help Mozart!
WHEN A PENGUIN MOVES TO CALIFORNIA
I watched a movie called "Orange Sunshine" about the psychedelic counterculture in Southern California in the 1960s. The movie was so well done and so evocative with saturated sunshine orange and yellow super eight film that I immediately picked up a guitar and started writing when the movie was over. Originally it was about a baby moving to California but somehow I thought of penguin moving there was a little more bizarre and fun. I like the way the penguin has romantic experiences and practical experiences. It's a big deal to move to a new place.
ON TOP OF A MOUNTAIN
This one was originally going to be on SLEEP TIGHT but I decided to hold it back for the next record because it was a little too bouncy for that one. This is just a simple mellow song based on the old classic ON TOP OF OLD SMOKEY. I love the groove in this one and I love any excuse to play slide guitar.
I THOUGHT I SAW BATS
Way back in 1990 I wrote a song called ARKANSAS ANGST. It was bizarre and abstract and kind of sad and depressing. I loved the melody and the guitar part but never felt like it was a song I can bring to a band or play live. I decided to crack it open and turn it into a Caspar song about five years ago and it's taken that long to figure out an angle and get the story right. This is based on an experience I had when I was a little kid where a giant crowd of bats smacked into my window and woke me up. It was super scary and I never forgot it.
DROPPED MY LOLLYPOP
I had an instrumental for many years called DROPPED LOLLYPOP And I loved it. Eventually I decided to put words to it and make it about a lollipop that I remembered getting at Disneyland when I was a little kid. I didn't drop the one I got but in an effort to add a little narrative tension I decided to tell the story of a lollipop that fell in the sand at the beach. I can't think of anything sadder for a little kid. But don't worry it all works out in the end. I had a lot of fun layering my voice 12 times to make the crowd of people shouting "NOOOO!".
HEAD SHOULDERS KNEES AND TOES
This is my version of the classic song that parents love to sing two their tiny babies. I thought it would be fun to add a whole bunch more body parts than just the head the shoulders and the knees and the toes. I hope you have fun trying to keep up with me and pointing to all the parts of your baby while you listen to this song.
ME AND YOU
I recorded two completely different versions of the song before I could settle on which one would get released. One was high energy and kind of like a hillbilly song and the other was this one that you are listening to. In the end I thought the sensitive presentation served the intimacy of the song better and having it be a knee slapper. A nice mellow album closer about the love between a baby and a parent.
The guitar line in this song was the first seed planted. The tune remained an instrumental for a long time and I was afraid that it would stay that way since typically if lyrics don't come soon new ideas will stay instrumental forever. I tracked it hoping that words would come and none did but one day as I played it on the porch the words just trickled out and the vision became clear. Sometimes you just have to be patient and wait.
GO SLOW SLUGGY
At one point I was working with Jack from Recess Monkey on a travel bingo game for the car that would have audio mini song cues for indicators as to what square to fill on the game board. He and I wrote dozens of mini songs that were about 30 seconds each. One of mine was called SLOW LORIS and even though the project never came to completion I always loved that tune when it popped up as I sifted through old ideas for new songs. I changed it to a slug because it feels more vivid to me than my own fuzzy and indistinct notion of what a Loris looks like and spends it's day doing.
JUST A KITE
I have had this song waiting in the wings for many years. I lost track of how many years but it has been a while. I identified with Charlie Brown when I was a kid. It seemed that his hard luck mirrored my own enough that having the same initials did not surprise me once I realized that was the case. I couldn't fly a kite either and that was the inspiration for this song. I decided to write it from the perspective of the kites that I failed to fly when I was a kid.
In 2000 I made an album of kids songs to benefit PEPS (Program for Early Parent Support), which included a version of the classic Irish song TURA LURA LURA. That album did not get distributed outside of the PEPS families that I made it for so I have been slowly remaking some of those songs and putting them out on Caspar Babypants albums. I decided to expand the lyrics and rewrite them to be about the sensation of being cozy in your home while the storms and scary natural phenomena rage outside.
Way back in 1998 I put out a record under the name The Giraffes. This song was on that record and it was a great version but when I went to update it for a Caspar Babypants record I got excited to update the lyrics. Way back when I wrote it I just had this kaleidoscopic sort of cut away vision of the woods at night and the cast of oddball characters that were crawling around in the pale moonlight. I could sing about the moon all night long! Another example of a simple translation of a surreal vision in my mind to a melodic lyrical miniature song world.
ANOTHER HEAD HITS THE PILLOW
I started out singing this as a funny mantra to myself as I painted the porch of my cabin in the woods. The lyrics were a bit different and the feel with upbeat and high energy. I fully recorded the song that way under the title LOG JAM but somehow it felt unfinished or something. A few years later I remembered that tune and changed the vibe to be slinky and dark. It feels like we are flying around fast all over the world seeing a psychedelic montage of creatures succumbing to sleep one by one. I love this one because it makes the hairs on my neck prickle.
IT'S BEEN A LONG DAY
Back in college I wrote a funny repetitive song called SUZANNE that only had four lines but I always loved the feel and the melody so when I came upon it as my computer played random songs one day I felt compelled to find a way to make it new and fresh. Set in and around the sea I am just asking some sea creatures if they will allow me to tuck them in (as you do!). It was fun to use that synthesizer sound in a Caspar song which is not usually in my palette of noises and instruments.
ALL OF YOUR LIFE
I wrote this song for my second album MORE PLEASE! which came out in 2010 but it just didn't fit on that album or any other album until now. One reason is that recorded and rewrote it three times trying to balance the sentiment with the right musical feel and that took about 7 years. Finally I got it right (I HOPE!) and this sweet little tune made it on to this album. Basically it is saying that no matter what kind of human you grow up to be you should take your time and enjoy letting your journey unfold moment by moment.
This was an old demo from the 90's that had unintelligible lyrics but a good relaxing vibration to it. Last winter I made a project out of listening to thousands of fragments in order to find ideas that resonated with me enough to rescue them from the trash pile and make them into something finished. This is one of them. Let's face it, flowers are pretty lazy. Those bees do all the work!
RAIN AND THUNDER
When I was super little I started taking piano lessons. I loved to play but preferred to figure out the theme song to "The Munsters" by ear than learn compositions by the masters. The title came from an old childhood memory. My friends Dave and Steve that lived down the street did not have a piano but would hang out at our house a bunch and heard me playing. In an effort to write something on the piano together we came up with a song called RAIN AND THUNDER, which was just tinkling the highest and lowest keys on the piano. The low notes being the thunder and the high notes being the rain. It was a little musical joke that I never forgot and eventually I took the title and mutated it into the song on this album. It only took 45 years to fully realize this one!
EARLY MORNING EARLY EVENING
I was trying to capture the hypnotic pulse of days coming and going in this tune. I like the idea that the pulse of a heartbeat and the pulse of a day and the pulse of a lifetime are all the same but some are too slow to perceive.
SLEEP MISTER SANDMAN
I was thinking about the legend of the sandman sprinkling dust in sleepers' eyes and wondering if the sandman ever has trouble getting to sleep or if the rotation of the earth means that he is constantly needed to sprinkle dust in sleepers' eyes and never gets to sleep? Poor guy. This song is dedicated to the late great Mark Sandman as well. He taught me how to play the 2 string and 3 string guitar and he is gone from us but his songs sing on and in that way he never sleeps.
DOES THE MOON HANG LOW?
I tried to rewrite the classic DO YOUR EARS HANG LOW? and make it a high energy rocker but somehow it did not sound right. It turned out that it worked better with new lyrics as a lullaby. Even slowed down the lyrics are kind of dense but I think it works. I love the wah wah guitar in there all distant and watery. My second moon song on this album. I do so love to sing about that moon.
LULLABY IN THE SKY
WOW. This one was a long strange journey that I can't believe is over. It started out as a song called XYLOPHONES IN THE SKY way back in 1993. I had a bunch of friends that all liked to play funny little broken down oddball instruments and we used to go to the beach or a park for the afternoon and play these hypnotic jams until the sun disappeared. I wrote XYLOPHONES IN THE SKY to capture my feeling of vast trancelike joy that I got from those jam sessions. But the song never worked as a recording. No matter how many versions I tried it failed somehow. I tried it quiet and loud and everything in between. Finally I stripped the chorus and rewrote it to be clearer as far as the vibe I was trying to capture. Recording it still proved super hard but I finally struck the right balance and after 25 years and remixing this version 34 times I can finally let this song go!
TEN LITTLE PIGGIES
This snappy little tune started out life as a love song for my newborn son about twenty years ago. I had him on a little blanket in he living room and as I stared at that glorious little kid I sang "sunshine pig making his way through the universe!". The song actually ended up in an ad for the BMW Mini back in the day. Eventually after picking it apart for years to make something else out of it I landed on the rich tradition of those beloved ten little pigs and the new Caspar version was born.
WHERE OH WHERE?
I decided that I wanted to rewrite this classic to include more than just a dog. So I wrote new lyrics about loosing an entire menagerie of animals and all the speculating that goes along with lost pets.
LOVE YOU MORE
This was a straightforward love song for my daughter when she was tiny. I use to wake up with her every morning and walk all over the place with her strapped to me and this was a song that I sang while we walked. I forgot about it and just stumbled onto it while listening to old fragments one day. It was super fun to record and I hope you have fun listening to it.
Wow wow wow. For years and years and years I have been noticing abandoned couches by the side of the road and every time I did I would have a little music moment go off in my head that sang "FREE COUCH" instead of "FREAK OUT" but with no idea how to form that little habit into a song I sat on the fragment for years. Then I cracked it open and worked it out so that a young tick that moved to the city is calling his parents and telling them not to freak out because he is safe and sound and living ins a FREE COUCH! Yay. Puzzle solved and the song came out super duper. Put on your dancing shoes and turn it UP.
THIS IS THE WAY THE WOODS WAKE UP
Originally I had this song happening in a zoo but then I realized that zoos could be a bit controversial so I moved it to the woods. I hope this song will help you in the morning with your routine, as you get ready to head out the door. I like to imagine this one being performed in a nightclub in 1960's New York by a dashing flamingo.
PUSHY THE TUG
This is another song where the idea existed for years before I figured out how to make it work as a song. Every time Kate and I would see a tug boat out on the water we would pretend it was named "Pushy" and it had a bit of an attitude of superiority. When it came time to make the song I figured I had to do more than just describe her so I made up a story about another tug named "Huggy" coming along and falling in love with her even though she can be pretty prickly. It's a tugboat love story.
I FEEL BETTER
One day I went into a music store with a wee tape recorder to sample little drum sounds and noises to use for song inspiration (the drum track on FREE COUCH is from one such excursion!) and I ended up improvising a little tune on a keyboard about feeling better. Many many years later after listening to the tape a few times this little jam stuck out as something to build on but it took many many more years before I stumbled on to the right way to sing about this idea of time healing all wounds. Some things are worth the wait.
CUT THAT COCONUT DOWN
One day this song just sprang out of my mind fully formed. I don't know where it cane from but I love it. Just a bunch of thirsty animals that need to get their paws and claws on some thirst quenching coconut juice. None of them can get it together to get the coconuts out of that silly tree. I get thirsty just listening to this one.
MY PANTS ARE ON VACATION
One day my wife Kate was getting ready to go out and could not find the pair of pants that she wanted to wear. Out of frustration she shouted "MY PANTS ARE ON VACATION!". Of course, as is often the case with things Kate says, I immediately heard a song in her silly proclamation and rushed out to the studio to write and record it on the spot.
This ditty started out as a song I wrote for someone as an auction item for a fundraiser. I can't remember what the original lyrics were but I changed it many years ago (another song I have had for a long time!) to be about the secret life of all the underground creatures. I love dirt. My favorite part is the concert hall made of "rocks and roots". I can really see it.
When my son was a wee lad he wrote the weirdest song called "CHIPMUNK FALLING FROM THE SKY". It had a really odd time signature and the "oo wee oo oo oo oo wee" part that I found myself humming to myself for years afterwards. Finally I changed his original lyrics about a chipmunk hitting the ground at terrible velocities to be about a crow that tries to steal a delicious piece of pie and a classic was born!
NO MORE JUMPING
My daughter and I were driving home from town one day when the song "Ghost Town" by The Specials and as I sang along my mind wandered to the old traditional song about jumping on the bed. I decided to expand it (as I do!) and include a bunch of animals instead of just the traditional monkeys in the original. I used a tone for the music from The Specials song as a tribute tot he moment of inspiration.
FROGGIE WENT A COURTIN'
Another old traditional song that I suddenly realized I had not thought about adapting. I changed the lyrics a bit and took the weapons out of Froggies hands in the first verse (!) and replaced them with a ring and a bouquet, which is more appropriate for a proposal! I had fun messing with these lyrics for sure. What a fun party. I wish I had been invited to that wedding.
PUT YOUR BABY IN THE AIR
I slowed this one down so you can really do the movement with your baby and have time to enjoy it and be in the moment. Of course I included some fresh movements so you can shake things up with your kid. It's just a simple moment to have interacting with your baby.
Who likes to go to bed? NOBODY! Well, nobody under 6 years old I guess. I wanted to write a sort of classic blues structured song and chose the bedtime these because a lot of kids feel pretty strong emotions around that age old never ending chore of winding down for sleep. I hope that maybe this song helps parents with the bedtime routine.
WHAT DO YOU FIND?
I love to wonder what animals think and the hardest animals to figure out to me are invertebrates. What are those little doo-dads thinking about? In the end I just don't know and that's OK. Sometimes nature is a mystery!
The song "The Ants Came Marching" in has always been a favorite of mine. I love spooky grooves but I always wondered why the theme of ants marching was wrapped up in such a spooky tune. So I decided to make the lyrics spooky too so the music and the lyrics would go in the same direction. My good buddy Fysah Sands helped out with some great soul vocals to give it an extra spooky feeling. Put this on when you are getting ready to go out to trick or treat next Halloween!
THE SOFTEST GUITAR ON THE MOON
This came about from an exercise where I put random words together and this title came out of it and I challenged myself to write a song using those words. This is another song that has been looking for a home on an album for a long long time and it has finally found its place. I feel like this song could be in a musical about a guitar that was left on the moon.
When my wife and I moved into our new house way back in 2008 we rented a big moving truck. As I pulled out of the parking lot of the rental place I put on the turn signal and it made this little two note rhythm that immediately inspired a melody form me and as we moved all day I sang with the turn signal Eventually after toying with lyrical ideas I saw a stand up comic talking about how toddlers are always excited to run away from their parents but don't have any idea what would happen if they got away and the lyrical idea for the tune was born.
When I was a kid I played a composition on the piano called minuet in G by Christian Petzold (it was mistakenly credited to Bach most of the time). I have forgotten most all of the songs I learned as a kid during my 10 years taking piano lessons but this one stuck with me. I added a second part that I wrote myself and a bunch of imagery of relaxing sheep. Usually you count sheep to go to sleep so counting sheep that are relaxing a bunch of different ways should be the MOST relaxing thing to help you sleep. Goodnight!
DECK THE HALLS
This is just a great classic holiday tune! The melody is Welsh and dates back to the sixteenth century and belongs to a winter carol, "Nos Galan", while the English lyrics date to 1862. As with a bunch of these old classics I have tweaked the lyrics to make them my own and give them an updates feel. The solo section in this one is a bit of a nod to Vince Guaraldi who made the classic Charlie Brown Christmas TV special music that I grew up with.
JOY TO THE WORLD
The words are by English hymn writer Isaac Watts and is based on the second half of Psalm 98 in the Bible. The song was first published in 1719 in a collection of Watt's writings. As with all of the traditional songs on this album that refer directly to Christ and God I have decided to secularize the lyrics to reflect a more family oriented perspective on the holiday season. I loved making the new middle part for this one. Adding new bits to old songs is on old my favorite things about songwriting.
CANDLE IN THE SNOW
There is based on a great old hillbilly bluegrass tune called "I Wish I Was A Mole In The Ground". I have always loved that tune but wanted to find a new way to do it so I finally settled on adapting it for this album to be about different light sources in the wintertime. Hope you dig it.
This one was extremely fun to record and sing. I decided to go for a chugging feel rather than an oompah vibe. This song was written by James Lord Peirpont and published under the title "One Horse Open Sleigh" in the autumn of 1857. Even though it is now associated with the Christmas it was actually originally written for the Thanksgiving holiday! I updated the lyrics to be a little less old fashioned in the wording and to flow a bit better for my style.
I had a song for years called Cloudy Cloud, which mutated into a song called Snowy Snow and it never really felt finished. I scrapped all the lyrics once I decided to call the album Winter Party I realized I could turn this unfinished song into the title track. So I wrote new verses about all the animals gathering for a party in the winter. Feel free to do a tiny little miniscule wee baby funky dance to this groovy tune!
WE WISH YOU A MERRY CHRISTMAS
This one is the most straightforward version of an original Christmas carol. I just turned up the energy a bit and kept the lyrics as they were. It felt right in this case. All I wanted to do was to with you a merry Christmas. Pretty straight forward. YAY!
I remember being a little kid and waiting patiently until Christmas day when I was finally allowed to eat the candy canes off the tree. It seemed to take forever and ever. Originally this song was just about how awesome candy is but that seemed a little irresponsible since I tend to stay away from sugar to stay healthy. So I sat on it for a few years until this album came along and I gave the candy a new story. I love this high energy little ditty AND I love candy canes in moderation!
PUMPKIN IN THE PINES
I wanted to do a cover of Good King Wenceslas but I found myself unable to update the lyrics in a way that felt right. One day during the recording of the album I had a funny vision of a pumpkin that does not rot after Halloween but instead floats around in the woods until Christmas eve and can't rest until it is let in to someone's house and shown some Christmas cheer. The song just poured out of me and came together in a flash! I think I invented the word "decomposted" for this song as well.
I took the tune from the French song Alouette and adapted it to be about a little penguin that is cold. Is that possible? Why not! It was fun to track this and make my voice sound different for the different parts. An easy song to join in with and sing along so feel free!
O CHRISTMAS TREE
The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer Ernst Anschutz. The original lyrics do not actually refer to Christmas at all or describe a decorated Christmas tree. Instead, they refer to the fir tree's evergreen qualities as a symbol of consistency and faithfulness. I decided to have this one change keys as it goes on so that is gets more and more uplifting. I really love this song. So tender and sweet.
THE TWELVE DAYS OF CHRISTMAS
The song was published in England in 1780 without music as a chant or rhyme, is thought to be originally French and the melody is by English composer Frederic Austin. As with most old songs I record I wanted to make the lyrics new and more "Babypants-ish" so I changed it all to be about animals of course. So no more partridge in that pear tree. Now it's a porcupine. You are WECOME!
The song was first performed on Christmas Eve in 1818 at St Nicholas parish church in Oberndorf, Austria. A young priest, Father Joseph Mohr, had come to Oberndorf the year before. He had already written the lyrics of the song "Stille Nacht" in 1816. The melody was composed by Franz Xaver Gruber in the nearby village of Arnsdorf. Before Christmas Eve, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for the church service. Both performed the carol during the mass on the night of December 24. All I did was, again, remove the religious references and make the lyrics more broad based and add a bit of a country feel and a brand new middle part! So it is a bit of a three way collaboration between Mohr, Gruber and Babypants!
DAYS GONE BY (AUD LANG SYNE)
I have always loved this song. It is a Scots poem written by Robert Burns in 1788 and was set to the tune of a traditional folk song of the time. Back in the old days I used to go to The Dog House before it was closed down and sing this classic at midnight on New Years Eve with all the regulars. Those were some of the best New Years Eves of my life. I decided to translate the old Scottish saying into English so that kids could understand the sentiment behind the lyrics. I ended up writing a bunch of new lyrics that refer to the original vibe of the song, which is nostalgic and emotional.
ALPHABET CHRISTMAS LULLABY
This one started out as a song for Mindy Thomas at Kids Place Live. I made a little Christmas greeting song for her show a couple of years ago. One day I heard it as I was strolling through my unreleased songs and expanded it to be this little album closing mellow tune. My favorite line is "X is for X-mass a handy abbreviation". I was pretty proud of that one! Hope you enjoy this album closing mellow tune.
BECAUSE I LOVE YOU
When my kids were little I would be the one to get up with them at the crack of dawn everyday while their Mom caught up on some sleep. One morning I was up with my daughter watching the sun come up over the Cascade mountains and I began singing this little song to her about all the love I felt for her and how it made all the bad parts of life seem little. 15 years later she is a teenager and now you all get to hear the song. I love you Josie! I got to use a BIG horn section on this one too.
ICE CREAM MAN
This song came from a kid that sent me lyrics through my website. Delaney Murphy sent me this song and I tweaked the lyrics and put it to music and here it is in all it's little glory. I wrote a song for the ice cream man that drove around in my neighborhood when I was a kid and hoped to put it on a Caspar album but this song turned out better then mine so I recorded this one instead. I like the idea that the ice cream man is trying to hide instead of wanting the kids to get their ice cream. So thanks Delaney for the great song!
GO! GO! GO!
I just started singing this to myself in the car when I was driving around one day for hours. I don't really know where it came from. I started to think about how the culture of America says "GO GO GO!" and how silly it can all be. The baby in the song has houses in Paris and Tibet and a nanny and a tutor and a mommy and a dog and just goes nuts until he finds inner peace and says "STOP STOP STOP!" So take it easy out there! I love the little sort of African pop solo part in there. That was super fun to make.
My Dad was a pretty great lyricist and he and I wrote a few songs together while he was alive. This was not one of them. I found this in a collection of odds and ends that I ended up with after he passed away a couple of years ago. I couldn't believe that I found a song that he had written that he had never shared with me. It was just the chorus and one verse so I set it to music and wrote some more verses for it and before I knew it I had written a Caspar song with my dear departed old Daddy. Love you pop.
POP GOES THE WEASEL
Wow, this one was a FUN struggle! I tried and tried to find a way to move this tune into the future without loosing the original imagery and intent of the song. The term "pop goes the weasel" was a slang for loosing a button on your coat in 1800s England. The "eagle" in the story was a pub so "in and out the eagle" was a way to say in and out of the pubs. Basically the song is bout choosing drink over taking care of your tattered clothes or yourself! I decided to change it to be about a band in London in the 1960s that has unexpected success and then tries to stay on the charts but ends up back on the street busking for pennies. A cautionary rock and role fable.
This song started out many many years ago as an instrumental that was part of a big 800 piece library that I would license to commercials and movies. I always loved the image of a tiny horse but never took the time to turn it into a proper narrative song. Finally I did and boy oh boy was it hard to do! I must have rewritten this one 5 times to get the balance of abstract and narrative to work. You know...a typical song about finding a horse in a shoe then pairing that horse up with a tiny cowboy then watching them ride off to international fame in Japanese rodeos. I am glad my mind is weird or this song would not exist.
I came across a fiction writer named Ann Pancake and laughed at that name. Then I suddenly remembered the old story about the runaway pancake and how I had not tackled that story yet in song form. So I stretched her name out to Annabelle and tried to write it. The trouble was the rhyming part. I could not paint the picture with the lyrics and make it rhyme at the same time. SO I decided to just talk about the scenes and forget about the rhyming part. It was fun to forget about that challenge and just let go.
WIDE BRIGHT EYES
I wrote a sweet slow love song for my wife Kate when we first met called WIDE BROWN EYES and wanted to turn it into a high energy hillbilly jam about looking into your babies eyes and seeing all the boundless intelligence that is in every babies eyes. Babies are enlightened humans and this song is my homage to them and their happy sparkle quality! Justin Lansing from The Okee Dokee Brothers plays banjo on this one. Thanks Justin!
Originally this song was called BEN CONVENTION and it was about a gathering of people named Ben that all had different emotions. That proved to be way too abstract as it turns out so I changed it to be about one person named Susan and all the different moods and feeling that one person can have. I chose the name Susan just because it sounded good after the word moody in the title. It is ok to feel all kinds of thing and you don't always have to feel happy. I was inspired by the amazing Big Block Sing Song series to make this song. Check them out...they are AMAZING.
This is an old public domain song called RATTLESNAKE that I found through the amazing Spider John Koerner (The song SPIDER JOHN is dedicated to him) and in his version there are a whole bunch of animals that he quizzes about how they got their various attributes. I decided to just make it about the snake and just the snake. I love how it bounces along and has that groovy weird breakdown. I like to do a tiny snake like dance to this one and I encourage you to do the same.
Originally this song was called FROZEN THE FISH and it was bout a fish stick on my plate and how it wished it could swim off my dish and all the things the fish would do if it was free to go. While I had a good supply of rhymes in the "ish" department it was too morbid for my taste. So I changed it to be about a jellyfish that wishes to do all sorts of things on dry land but can't because he has no bones. This is one of two little miniature rock operas on this album. Can you name the other one?
SLEEPY SNAIL AND SPEEDY SPIDER
After not hearing from her for a LONG time my old friend Azalia Snail and I were in touch with each other. Of course my mind immediately wandered to snails and then to my recent effort to slow down and do a bit less in life so that I have time to just BE and observe the world unfold. So after a bunch of false starts and lyric revisions this little tale of a slow snail and a speedy spider being unlikely friends was born. Don't be afraid to take time to do nothing everyone. And it's ok to be busy too! Which one are you mostly? Sleepy? Speedy?
CHICKEN IN THE CORNBREAD
I picked up a banjo one day and began playing this melody out of nowhere. This is a case of me writing a song that sounds like an old song from long ago that I am updating but it is an original new tune. I love the idea that a chicken will want to peck at my cornbread so badly that it will learn how to fly and time travel in order to get a bit for itself. That chicken is very persistent. I added the "why did you eat my cornbread chicken chicken" part way after recording the song.
This is another one that went through a multiple year journey from idea to being finished. We were in Hawaii way back in 2009 and a bird came into our hotel room and Kate and I named him Goober and I wrote a song about him. The problem was that I ripped off The Who's song Tommy without realizing it. Good old "Weird" Al Yankovic alerted me to the blunder when I sent him some rough mixes to check out and so I rewrote the whole song with a new melody and a story about wanting to keep the bird but the bird saying "NO!". All of that took 6 years so you better enjoy it! This is the other little rock opera on the album. I snuck a little bit of an homage to Bohemian Rhapsody by Queen in there in the middle too.
In it's early stages this one was called MISTER POOP believe it or not. It was about how food changes after you eat it into POOP! But in the end (HA! Get it? END?) it was too poopy based so I changed it to be about clouds and how they change shape and form. Plus I think it is fun to imaging talking to clouds. They go through a lot of changes. They know stuff. They are patient and adaptable which are good attributes. I loved rhyming "bottom" with "autumn". That was my nod to the original lyrics.
DIGGIN' WITH THE CLAMS
Kate and I used to go to Doe Bay on San Juan Island a bunch years ago to sleep in tents and sit in hot pools. One time when we were there and poking around on the beach this song just came drifting into my brain. I rushed back to the tent and wrote it on a wee ukulele and a scrap of paper. It sounds like a fun challenge to try to dig fast enough to keep up with those little clams. I played it that night at an open mic at the restaurant there but it took 4 years to finish writing it and get it recorded. I am slower than those fast little clams.
I was watching a DVD by The Okee Dokee Brothers where they travel in Appalachia and write songs as they go. It was beautifully done and they sound great. At one point they meet an old man living in a shack in the forest and they hang out with him for a bit. He seemed pretty prickly and like he wanted to be alone way out there but he let them spend time with him anyway. Somehow the music they were playing and the idea of being isolated gave rise to this idea of being unhuggable and things that are prickly in nature. Justin from The Okee Dokee Brothers played banjo on this track and Joe sang harmonies on the choruses. Thanks for the inspiration guys!
One day Kate and I were having breakfast at our neighborhood grocery store when I was an article about a man who tried to smuggle 35 turtles into the country in his pants! Minutes before I read that I telling Kate about the fact that I had not written any songs about trains before. She chirped "you should write a song about a turtle train!" and so I did! The song came out of slowing down for a leisurely breakfast in town and turned out the song is about slowing down in life. I think I am more of a sleepy snail than a speedy spider.
IF YOU'RE SLEEPY
Many many years ago in 2000 when I made the first collection of songs for PEPS (Program for Early Parent Support) to use in their parent education meetings I had my friend Jen Wood into my studio to sing on a bunch of songs. In the middle of doing IF YOU'RE HAPPY AND YOU KNOW IT we needed a break from the chirpy chipper peppy vibes of the songs we were tracking and I started to play these mournful chords as the tape was running. Jen improvised over it with new lyrics about being sleepy and a new melody and the song was born! It was rough and short though and needed to be recorded for real. That task only took 15 years to complete and now it can finally see the light of day.
SGT. PEPPERS LONELY HEARTS CLUB BAND
I wanted to do the Sgt. Peppers bookend thing on the first record but there were just too many songs to do it. So now's my chance! This song was the first Beatles song I ever heard since I got Sgt. Peppers when it came out in 1967 when I was only 2 years old so it is completely intermingled with my sense of being a child and the surreal possibilities of the Beatles music. Amazingly the beginning sound of the orchestra tuning up was from a totally unrelated recording I made on an accordion and I had not included it until I realized it sounded just like the chord on the record (or at least my memory of it) and it fit perfectly. A nice serendipity moment which is great because the making of the real Sgt. Peppers record was full of coincidences when the Beatles recorded it.
WITH A LITTLE HELP FROM MY FRIENDS
This was the last song to make it onto the album and I was resisting it for a while because of the "get high" line but then I was at my friend Mark's house and some friends of his were telling me how their kid sang this song in a school choir presentation and the teacher told them that "high" meant feeling really good and happy! They were really insistent that I record it for this album so in that context I decided to record it. Boy am I glad I did. It is pretty fun to have it in the number two spot just like on the original album. Originally Ringo recorded his vocals at 5:45am after a full night of recording other songs. Poor little Ringo!
When I thought about how to make this song fresh I noticed that at it's core it has a church kind of feeling. So I just sped it up and energized it with a sort of gospel explosion. Of all the songs on the album this one was the easiest for me to sing for some reason. It just flowed out so naturally and I did the lead vocal in one take. I was literally bouncing off the walls in my studio as I did the shouting singing celebration at the end! Paul wrote this for John's son Julian so it is at it's heart a kid's song already.
STRAWBERRY FIELDS FOREVER
This is the one that inspired me to make this second collection of Beatles songs. I just could not stop thinking about this song and before I knew it I was in the studio making a new version. It came out so well that I figured I might as well go ahead and make the whole second album! I am happy to present this song also because it is the companion song to Paul's Penny Lane about childhood. Strawberry Fields was a park that John played in when he was little and the song is his tribute to a happy time when he was small and life was simple.
FOR YOU BLUE
I really loved this song when I was a kid. The slinky feeling of the music made me super happy. One day my Dad took me out to lunch at a pizza place called Shakey's and they had a jukebox with For You Blue on it. This was probably 1974 so it was only a few years after the song came out. When I asked my Dad for a dime to play the song he said I couldn't have one because I had the record at home and could hear it for free. I think in the end that experience made the song even sweeter since every time I hear it I remember NOT being able to play it. Thanks DAD!
I have always LOVED this song and the drone like sound of it and the sentiment which is that a rainy day is not a bad day at all and that we create these limitations for ourselves that require everything to be perfect in order to be happy. I just wanted to lighten it up and make the content of the vocals come to the front. At its core this is a super simple song with a super simple message. Be happy because you are alive not because of your surroundings.
ONE AFTER 909
The amazing thing about this song is that although it appeared on one of their last records is among the very first songs that John Lennon and Paul McCartney ever wrote. In the beginning the Beatles played without a drummer for a bunch of their first gigs and because there were four guitars they sold the lack of a drummer with eh phrase "The rhythm's in the guitars!". I decided to see how that theory would sound and just made this thing with only guitars save for the little Billy Preston style piano here and there (and HORNS! oops). Interesting side note is that Billy Preston who played piano on this song on Let It Be also played with and socialized with the Beatles in 1962 when he was Little Richard's organist and played shows with the lads from Liverpool around the time when they wrote this song.
This was one where I felt the original was pretty clear and clean and may not need covering but I could not resist recording it because it is so much FUN to play and sing! It tells a vivid story too which is always a winning quality of a good song for me. I can really SEE the story and atmosphere come to life in my head as I listen to it. So I indulged myself and put it on the album.
THE FOOL ON THE HILL
This one was hard to sing! I had to redo it a few times to get my voice near those high notes and ring out like Paul's does on the original song. But it was worth it. I got the broken baby keyboard to do the bass line here again and got a funny gnome from the garden to come in and play flute. Another example of getting a bit more energy and speed into the performance than the original to bring out the groove of the song.
The word is LOVE! What better sums up the Beatles contribution to our collective unconscious that their promotion of the concept of loving each other. I ramped up the country feel in this version just because I always heard it bubbling just under the surface and it was fun to bring it out a bit. This one did not make it onto the first record and I am glad it didn't because I added a bunch of bells and whistles to this new version.
This is the ultimate song of praise for you exhausted mothers out there! How do you do what you do? It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! It was fun to create the super angelic "see how they run" parts and use my super broke down old Kawai baby keyboard for the bass line. I sure do love a half busted cheapo keyboard.
Singing about pigs has been a little fun surreal pastime of mine since I was a kid. Strange that I have not written a Caspar Babypants song about a pig but I do sing about then as I bop around all day. SO this seemed like a great one to include. I loved replicating the end part with he crisp cellos too. This one was also recorded for the first album but got bumped so it is great to have the chance to get it out here.
Another track that did not make it onto the first album. The lovely and talented Rachel Flotard helps out on vocals and does a great job with the harmonies. I like this one for kids because it is repetitive and deals with opposites. A little bit of an opportunity to think about that stuff. Also the fat luscious chords are so fun to play and listen to.
BABY YOU'RE A RICH MAN
I got to go nuts with the little funny broken baby keyboard and did all the sounds for this song with it! I have played this song live a bunch with my grown up band and originally thought I would do it pretty straight and strummy on a guitar but once I fired up that silly keyboard things just flowed and it all came together. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it!
WHEN I'M SIXTY FOUR
I was actually not going to record this one because the original is so clear and clean and it did not really need a new version but I recorded this version with that slide guitar and just got hooked by the prospect of leaning the song into the country direction. When I was a kid I would sing along to Paul McCartney's slightly sped up vocals on this song and match his delivery note for note and feel like I was in the band. They sped them up to make him sound younger since he wrote this song when he was a teenager.
I always thought of this as a song that a parent was singing to a kid trying to get them to get out of the house and explore together. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more.
GOOD DAY SUNSHINE
This was also recorded for the first record but did not make the cut. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals!
DRIVE MY CAR
When I sat down to learn this one I was immediately struck by how odd the chords were. I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation.
SGT. PEPPERS LONELY HEARTS CLUB BAND (REPRISE)
Since this second half of the song is appearing at the end of a Caspar album it needed to be mellow as I always go from high energy to low energy when I arrange an album. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too.
There could only be one winner between this song and Goodnight for the final spot on the BABY BEATLES! album and Goodnight won by a wee little margin. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones (and you!) to sleep and sweet dreams.
What a joy to add this song onto the end of the album. I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. The last decision was do I or don't I add HER MAJESTY to the very end? I decided not to add it in the end (HA!) so that the slow fade out was the last thing a baby or a kid or a mom or a dad will hear. Plus if you let the album repeat then it fades into the beginning bit of SGT. PEPPERS making the whole thing into a circle.
JUST FOR YOU
This song came fully formed out my mind in Austin Texas one day. the chords and the music flowed out and it just felt loving and good so I wrote it down and kept it around for a couple of years before it found its way on to this album. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better.
UP ALL NIGHT
There was a plan to make a TV show about animals and I was in line to be the host. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. This some was the bit that I made up about the owl. that was about 5 years ago and the song has finally found it's place here. I hope it does not encourage your kids to stay up all night! I think it is more about that desire than a suggestion to do so.
TAKE IT EASY
I was watching a special on TV with my Dad about the music from the movie "O Brother Where Art Thou?" and there was one particular performance that stood out. It was an elderly man on stage singing a song all by himself with no musicians. His voice had a lonely quality that was sweet and haunting at the same time. I tried to make this song occupy the same space but I got excited to put instruments on it so I made it about playing music so I could justify the added parts and music. This one is dedicated to my late great Daddy.
WONDER WHY YOU HIDE
I made up this riff while sitting in the sun on my porch one day and it always reminded me of Nick Drake a bit so I kept playing it as an instrumental. then I saw little creatures running away to hide for the night in my mind. Musically I worked very hard on this one to make it move from part to part and not get monotonous. Lots of weaving guitar bits coming together here. Getting that lead vocal to sit right took a while. It was challenging but I love the results!
DAY IS GONE
Just a simple song about things shutting down for the night. No big story here. Just a sweet little turn of phrase that made me smile. I do like the stop and start quality of the arrangement and that came about over time. That effect makes me sleepy.
THROUGH YOUR WINDOW
Long ago I lived in Boston and I went through a period where I did not write very many songs at all. From time to time I would just improvise and try to push out a song. I was in my room and sang about the view from my window and that was it. That song sat around for 20 years unfinished then I read a book about the psychology of children's books and why some work and some don't. In the book they talked about "Goodnight Moon" and why it was successful and the iconic, romantic relationship we humans have with the moon and how that fires children's imaginations. When that song floated back into my mind I focused on the idea that image of the moon is about fantastic distance and possibility for adventure and made the verses about the crazy things that you might do out there under the moon.
BENEATH THE WATER
After hurricane Katrina a friend of mine was working on songs based on stories of survivors. He sent me some movies and testimonials and I was struck by one guy who told his story of loosing his family in the water. That sparked a song called "My Mother Is The Water" which I gave to the project but it did not get used. So I changed the theme to be about fish and how they sleep under the water during storms and stay cozy despite the tempest above.
This song is dedicated to a good friend and amazing chef named Christina Choi who passed away a few years ago suddenly. I had a dream about her in which she was a big blue dragonfly in a twighlight swamp and I was going to visit her. When I told Kate about the dream and told her the song was called "Dragonfly Blue" she said that was so weird because the color of the paint on the walls of Christina's restaurant was called "dragonfly blue". That coincidence made the song really come alive. Originally this was a little song called "My Dolphin Blue" that my daughter Josie wrote with her cousin Claire. But try as I might I could not make the dolphin imagery work for me. When the image of a blue dragonfly came along I rewrote the words and the song was born.
DEEP IN THE DIRT
Originally this was called "Deep In The Middle" and it was about being in the middle of a strange dream that you could not get out of but it was too weird and scary! So I made it about all the wee critters that live in the dirt hoping that thinking about them would make little brains tired. Hope it works!
THE LAND OF SHUSH
This came out of playing at a library in Olympia one day. While I was setting up I was talking with the librarians Sara Lachman and Mary Rulewicz about how librarians have to go around saying "SHHHH!" to everyone. they said they really didn't have to do that very much but it made me start to play a riff and make up a song on the spot called "The Land of Shush". I ended up playing it that day at the show and a few years later here it is on an album. Thanks for the inspiration Sara and Mary.
I found an old old recording of me singing a song to Augie when he was very small called "Sick Puppy". I liked the melody and the phrasing but when I thought about is for a Caspar song I didn't want to have the word sick in there. On the recording you can hear Augie asking "Sick puppy?? Why is there a sick puppy??" and it is really cute! So I turned it into Sad Puppy then Sad Monkey then realizing I had 4 monkey songs going at the same time it became Sad Baby for this album. No matter how sad it feels to be left alone to go to sleep you will feel better after a good nights sleep I promise.
The first version of this song was recorded in 2001 for an album of songs for kids that I donated to PEPS (Program for Early Parent support). It was called "Close Your Eyes Little Sister" and I changed the title to be a bit more universal in case you don't have a sister. Originally it was written for my daughter Josie as a lullaby that I sang to her as she went to bed. This thing has SO many chords in it that it is pretty fun to play on piano.
Augie made up a song with no music that he called "Sliver Moon" when he was SUPER little. He had another song about the moon as well (supporting the romantic connection to little minds with the moon from the book mentioned above!) and he saw the sliver moon one night and just started busting out a song of love. I only remember the title and turned it into my own song. There is something interesting about this recording. There is another Caspar Babypants song that uses the exact same chords as "Sliver Moon" but is way more up beat. Can you figure out which one it is? Contact me if you think you know. That happened because I liked the chords to this song but had too many slow songs so I turned it into a whole new song using the same chords. Later I found this original recording and it fit on this album so here it is.
DRIFT OFF IN TIME
This started out as a Christmas song about Santa and Christmas trees and stuff but I gave up on making a Christmas record and the song lay around unfinished. I got rid of the specific Christmas stuff and made it about being cozy inside as the cold world freezes outside and all you have to do is drift off in time. The original theme was about not being able to go to sleep on Christmas night.
UNDO YOUR MIND
I had this basic fragment lying around for many years unfinished and it was called "Fingertips" and did not have the "undo your mind" line in it. Somehow it felt half baked and when I put that idea of shutting off your chattering mind in there it felt right! The long trippy outro part is one of my favorite moments on the album.
MADE OF LIGHT
As I do more meditation on a daily basis I have reached states of mind where I see the material world as made of light. It is hard to describe in words but that is the best way to talk about it. This is the longest Caspar Babypants song ever and it may work well to put it on repeat in a sleeping babies room on low volume and see if it lulls the little thing to sleep. I wanted to have a song that is not about anything specific to going to sleep but is about a universal energetic sensation that is an abstraction of losing consciousness and drifting off to dreamland.